Little Blue Moon
Theatre at the Preetzer Papier
Theater Treffen, September, 2005
REVIEWS
AND INTERNATIONAL PRESS
Above, page from the
German paper theatre review
"PapierTheater", no.
31, December 2005
Below is the Little Blue
Moon Theatre review from
"PapierTheater,"
written by Willers Amtrup,
translation into English provided
by the festival.
Prelude on the 18.
Preetz Paper Theatre Festival
By Willers Amtrup
(Showing the Little
Blue Moon section of a larger
collection of reviews from the
festival)
Tango for Tarzan / The
Widow
Lets stay with
performances in English. The
Little Blue Moon Theatre with
Michael and Valerie Nelson from
the USA, presented Tango for
Tarzan and The Widow (with a
synopsis!) - two plays only
for adults. And their
performance turned out to be a
delight! Both actors had been
puppet players for 25 years and
had only recently started to deal
with Paper Theatre. Michael
Nelson drew the scenes and
figures himself. First they
performed the story of a young
woman photographer who visited a
Natural History Museum to look at
the model of a stuffed
rhinoceros, almost extinct as its
horn had been considered an
aphrodisiac. The photographer by
chance discovered and opened a
mysterious door - and immediately
the character of the story
changed. The vision of the young
woman appeared, who had been
kidnapped, undressed and (very
decently) pestered sexually by
animal poachers. In the young
womans (rather desired)
moment of need, Tarzan appeared
to the rescue, swung down to her
on a tree vine and overpowered
the poachers. Immediately a
passionate love affair began with
Tarzan, during which the young
woman, almost like an acrobat,
performed at times on the back of
a huge rhinoceros. Told in a
straightforward manner, it was
never pornographic, but very
witty - eroticism at its best on
Paper Theatre. The same applied
to the following ballad very
wittily sung by Valerie Nelson
about a lonely widow, whose main
business it was to
lay with one man
after the other. Even the Devil,
to whom she promised her soul for
a successful night, gave up in
the face of her overpowering
desire and explained that now he
understood why her husband had
passed on. Again it was pure
eroticism, without being
pornographic, but told with a
strong sense of tongue in
cheek.
And below, from the online
international paper theatre
magazine, part of a review by
Harry Oudekerk:
|